A curious hybrid of deluxe album and EP, the Queen of Pop’s latest complements its predecessor nicely without ever quite ...

Stephanie Childress conducts an all British programme of Vaughan Williams, Britten and Elgar which delights Berliners.

The sometime Wild Beasts singer delves into his fascinating new album about the mysterious shingle spit of Orford Ness, ...

Their fifth album resurrects the cause of the pioneering ‘Aviatrix’ Amelia Earhart from the 1920s, communicating triumph in ...

I last heard her as Rusalka at Covent Garden 14 years ago, and since then the voice has grown dramatically – she’s added ...

On that note, Godspeed is the culmination of The Blessed Madonna’s irresistible rise, 7 years of trendy club-oriented tunes ...

Therefore, there’s a suitably celebratory air to the band’s fourth album – ten tracks which are probably the distillation of ...

Fans of Field Music could have been forgiven that they may have heard the last of the Brewis brothers. Their last album, Flat ...

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William Shakespeare’s preoccupation with the shifting nature of dreams, reality and the imagination finds its musical equal in Benjamin Britten’s opera, which uses only one line from another source.

Tobias Kratzer’s 2020 staging of Fidelio at the Royal Ballet and Opera is a compelling and audacious reinterpretation of Beethoven’s ‘rescue opera’ that divided critics when new. And it’s not hard to ...