Hélène Grimaud's Singapore recital sonorously unites Hans von Bülow’s “three Bs of music” – Bach, Beethoven and Brahms.

Deborah Colker directs an ambitious show, which works incredibly well with storytelling as emotive as it is narrative, ...

The Moldavan-born violinist dazzles in a generous, emotion-laden program led by the LPO's Principal Conductor, Edward Gardner ...

Amy Lane's scattered borrowings from Tim Burton to Stanley Kubrick fail to cohere in the Canadian Opera Company's new Faust.

Henry Neill gives a devastating performance as Sam in Trouble in Tahiti in The Royal Opera's Bernstein double bill in the ...

The Russian conductor convinces everyone with a magnificent interpretation of Strauss' score, leading an outstanding cast in ...

Just as there can never be a bad performance of Serenade, there are no bad performances of In the Upper Room. It practically ...

This revival of Kratzer’s production forces the audience to confront where personal responsibility starts and stops for ...

Elisa Verzier, making her Glyndebourne debut, is astonishing as Violetta in a revival of Tom Cairns' 2014 production.

A revival of Mariame Clément's production of Rossini's less-loved comic gem provides the sense of Italian sun to warm the ...

Michael Tilson Thomas returns to the LSO with more Mahler, this time the mighty Resurrection Symphony which finds the ...

Anton Bruckner, nicknamed “Tonerl”, spent his childhood in rural Ansfelden, Upper Austria. Tracking his life from there to ...